Workshop on slide making inspired by Robert Hooke

Saturday 9th November 2019

Chris Thomas started this workshop with an introduction to Robert Hooke, and then surprised us by telling us that we had to construct our own microscopes (with a 6-inch tube length and a movable stage for focusing) and illuminators (for reflected light), and then devise a way of measuring specimens, before moving on to examining some of the specimens that Hooke investigated. No instructions were provided, and marks would be given for each stage.

Chris Thomas introducing the workshopChris Thomas introducing the workshop

The materials that Chris provided were eyepieces and objectives (from Barry Ellam’s bargain boxes at the East of England Meeting), some scored pieces of cardboard, sheets of white, black and decorative paper, rulers, specimen bottles with a hole in the top, clear sticky tape, Blu Tack and LED torches.

Materials for making microscopesMaterials for making microscopes

Chris brought enough parts for 6 microscopes, so we worked in pairs. Nigel Ashby agreed to be the judge and to mark the efforts of other members.

Jacky McPherson and Mark ShephardJacky McPherson and Mark Shephard

John Tolliday and Joan BingleyJohn Tolliday and Joan Bingley

Pam Hamer and Danny FerriPam Hamer and Danny Ferri

Paul Smith and Lisa AshbyPaul Smith and Lisa Ashby

Tristram Martyn and Irma IrsaraTristram Martyn and Irma Irsara

Four cardboard microscopesFour cardboard microscopes

Cardboard microscope assembled by Chris ThomasCardboard microscope assembled by Chris Thomas

The way to make a movable stage for focusing was to space the ruler a little away from the stand (using blobs of Blu Tack, for example) and then wrap a strip of cardboard around the ruler, loose enough that it can be slid up and down but firmly enough that it does not slip. A roll of paper provided the body tube, with the black paper inside to reduce flare. The top of the specimen bottle provided a holder for the objective.

To show that their microscopes worked, some members held their their mobile phones just above the eyepieces to take photomicrographs.

Point of a pinPoint of a pin [by Pam Hamer]

Blu Tack labelBlu Tack label [by Paul Smith]

Blu Tack labelBlu Tack label [by Lisa Ashby]

1p coin1p coin [by Joan Bingley]

1p coin1p coin [by John Tolliday]

The second stage was to devise a way to measure specimens using only the items on their tables. Some members devised their own systems of measurement, while others used screen dots and other parts of printed matter to measure in millimetres or micrometres.

The third stage was to examine and draw items similar to those that Robert Hooke observed, including cork, willow stems, charcoal, woven fabrics, razor blades, pins and cat fleas (Ctenocephalides felis, obtained from a veterinary surgeon by Lisa and Nigel Ashby). Members could use either the microscopes they had constructed, or the conventional compound and stereomicroscopes provided. Extra points were awarded for comparisons.

Specimens to be examinedSpecimens to be examined

Jacky McPherson drawingJacky McPherson drawing

Drawings of fabrics by Jacky McPhersonDrawings of 2 fabrics by Jacky McPherson, comparing the weave patterns and spacing

Joan Bingley drawingJoan Bingley drawing

Drawings of linen and papyrus by Joan BingleyDrawings of linen and papyrus by Joan Bingley

Photomicrograph of linen fabricPhotomicrograph of linen fabric (4× objective, field width 3.7 mm)

Drawing of edge of razor blade by Joan BingleyDrawing of edge of razor blade by Joan Bingley

Mark Shephard and John Tolliday drawingMark Shephard and John Tolliday (foreground) drawing

Mark Shephard compared the weave patterns and spacing of 2 fabrics:

Drawing of blue flower fabric by Mark ShephardDrawing of blue flower fabric by Mark Shephard

Photomicrograph of blue flower fabricPhotomicrograph of blue flower fabric (4× objective, field width 3.7 mm)

Drawing of blue tartan fabric by Mark ShephardDrawing of green tartan fabric by Mark Shephard

Photomicrograph of green tartan fabricPhotomicrograph of green tartan fabric (2.5× objective, field width 5.3 mm)

John Tolliday drawingJohn Tolliday drawing

Drawings of cork and charcoal by John TollidayDrawings of cork and charcoal by John Tolliday, comparing the residual cell structure

Tristram Martyn drawingTristram Martyn drawing

Drawing of cat flea by Tristram MartynDrawing of cat flea by Tristram Martyn

Paul Smith and Irma Irsara drawingPaul Smith and Irma Irsara drawing

Irma told us that at home she uses an eyepiece fitted with a reticle that has grid of squares to help with her drawings.

Drawing of fabric fibres by Irma IrsaraDrawing of fabric fibres by Irma Irsara

Drawing of fabric fibres by Irma IrsaraDrawing of fabric fibres by Irma Irsara

Drawing of cat flea by Paul SmithDrawing of cat flea by Paul Smith

Pam Hamer drawingPam Hamer drawing

Drawing of cut surface of cork by Pam HamerDrawing of cut surface of cork by Pam Hamer

Drawing of edge of razor blade by Pam HamerDrawing of edge of razor blade by Pam Hamer

Drawing of point of pin by Pam HamerDrawing of point of pin by Pam Hamer

Drawings by Lisa AshbyDrawings by Lisa Ashby

While everyone else was busy drawing, Chris had a chance to relax before Nigel Ashby announced the winners.

Chris Thomas relaxingChris Thomas relaxing

Nigel Ashby announced the winners of the closely-fought competition.

Nigel Ashby announcing the winnersNigel Ashby announcing the winners

After the winners were announced, Chris Thomas requested feedback on the workshop and received some encouraging comments.

Feedback sessionFeedback session

Some of the specimens were displayed on the Club’s large television, with images from a Chinese inspection camera.

Cat fleaCat flea

Blue and white fabricBlue and white fabric

Report and most photographs by Alan Wood

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